Didi Sister

Didi: Sister

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi	Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi	Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi
Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi	Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi
Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi	Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi	Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi
Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi	Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi	Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi
Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi