top of page

Didi: Sister

20110114-33 train.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

20110114-31 shadow.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

20080108-25 Maya_1print1.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

20110114-24 religiosity3.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

20110114-21 well.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

20080103-29 Maya_Picture 020.jpg
20110114-10 Daughter.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

20070204-20 print3Payal.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

20070102-9 fav00015_Binita.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

20110114-8 dress.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

20110114-1aasha.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

20070103-15 home5_Binita.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

20070204-26 Sushma_100_0418.jpg

Didi: Sister was a collaborative project I conducted in Kathmandu, Nepal. I worked with women living in a safehouse who had experienced or were vulnerable to human trafficking. I gave donated digital cameras to the women living there and used a black and white film camera to photograph alongside them. Their color images stand in stark contrast to my black and white images. This contrast stirs questions about my role as an outsider in Nepal, and highlights the differences in our perspectives. Thi

​© 2023 by STREET LIFE. Proudly created with Wix.com

bottom of page